Repertory
– “The Thrill” 1982 choreography: Delma Iles, music: J. Hoover, Art Tatum, Pearl Bailey, costumes: Delma Iles, 15 minutes, 4 dancers, jazz
– “Caravan” 1982 choreography: Karen Peterson, music: J.S. Bach, Stephen Grappelli, costumes: Karen Peterson, 12 minutes, 5 dancers, modern dance
– “Blackbird Pas de Deux” 1982 choreography: Delma Iles, music: Eddie Sauter Orchestra, costumes: Delma Iles, 2 dancers,7 minutes, modern dance
– “The Awakening” 1982 choreography: Karen Peterson, music: J.S. Bach, costumes: Karen Peterson, 2 dancers,5 minutes, modern dance
– “Strands” 1982 choreography: Leslie Neal, music: original score by Victor Velt, costumes: Leslie Neal, 9 minutes, 3 dancers, post modern dance
– “Amazing Grace” 1980 choreography: Nan Imbesi, music:Hubert Laws, costume: Nan Imbesi, 5 minutes, solo dancer, modern dance
– “Handel Concerto” 1982 choreography: Delma Iles, music: Handel, costumes: Marilyn Skow, 16 minutes, 3 dancers, modern dance
– “Sisters” 1982 choreography: Karen Peterson, music: traditional early Renaissance music, costumes: Lisa Ruocco, 12 minutes, 6 dancers, modern dance
– “Echo Bodies” 1983 choreography: Mary Luft, music: David Behrman, costumes: Maureen O’Rourke, 12 minutes, 5 dancers, modern dance
– “Walking and Falling” 1982 choreography: Leslie Neal, music: Laurie Anderson, costumes: Sheila Natasha Simrod Friedman, 13 minutes, 6 dancers, post modern dance
– “Arboles” 1983 choreography: Karen Peterson, music: George Winston, costumes: Delma Iles, 9 minutes, 3 dancers, modern dance
– “Turnstyles” 1983 choreography: Leslie Neal, music: David Anthony, costumes: Leslie Neal, 8 minutes, 5 dancers, post modern dance
– “Odalisque” 1983 choreography: Delma Iles, music: Gabriel Faure, costume: Delma Iles, 6 minutes, solo dancer, modern dance
– “The Duncan Dances” 1978 choreography: reconstruction by Dr. Diane Milhan after four solos by Isadora Duncan, music: Chopin, Scriabin, Beethoven, costumes: Dr. Diane Milhan after the originals, 20 minutes, 4 dancers, modern dance
– “Sugar Hill” 1983 choreography: Delma Iles. music: The Lounge Lizards, costumes: Lisa Ruocco, 12 minutes, 5 dancers, jazz
– “Parallel Ground” 1983 choreography: Karen Peterson, music: David Byrne, Heartbeat, costumes: Karen Peterson, 9 minutes, 6 dancers, jazz/modern dance
– “Heart of Darkness” 1983 choreography: Delma Iles, music: Mother Mallard, Franz Lizst, Krystoff Penderecki, costumes: Delma Iles, 20 minutes, 6 dancers, modern dance, inspired by the novella “Heart of Darkness” by Joseph Conrad
– “Syntacts” 1983 choreography: Dr. Diane Milhan, music: original score by Geoffrey Magee, costumes by Dr. Diane Milhan, 9 minutes, 5 dancers, modern dance
– “Sea Pictures” 1984 choreography: Delma Iles, music: Elgar, sung by Janet Baker, costumes: Delma Iles, 16 minutes 4 dancers, modern dance
– “…and the birds stayed singing” 1984 choreography: Leslie Neal, music: Philip Glass, Meredith Monk, costumes: Domitille DesPierres, 18 minutes, 6 dancers, post modern dance
– “A Sense of Solace” 1983 choreography: Mary C. Kane. music: J.S. Bach. costumes: Karen Peterson, 7 minutes, 2 dancers, modern dance
– “Homage To Mondrian” 1984 choreography: Delma Iles, music: Thelonius Monk, costumes: Sheila Natasha Simrod Friedman, 10 minutes, 5 dancers, jazz/modern dance
– “Over the Edge” 1984 choreography: Karen Peterson, music: Stewart Copeland, costumes: Karen Peterson, 11 minutes, 6 dancers, modern dance
– “The Broken Glass” 1984 choreography: Delma Iles, music: Philip Glass, costume: Delma Iles, 7 minutes, solo dancer, modern dance
– “Water Study” 1929 choreography: Doris Humphrey, reconstructed from the Labanotated score by Ina Hahn, performed in silence, costumes: traditional, 9 minutes, 8 dancers, modern dance
– “The Soldier’s Tale” 1985 choreography: Delma Iles, music: Stravinsky, costumes: Delma Iles, 20 minutes, 3 dancers, modern dance, commissioned by the Miami Chamber Symphony
– “Vivaldi Variations” 1985 choreography: Karen Peterson, music: Vivaldi, costumes: Marilyn Skow, 14 minutes, 6 dancers, modern dance
– “Paris Dress” 1985 choreography: Delma Iles, music: Edith Piaf, costume: Sheila Natasha Simrod Friedman, 6 minutes, solo dancer, jazz/modern dance
– “White Heron” 1985 choreography: Delma Iles, text: William Butler Yeats, costumes: Marilyn Skow, 30 minutes, 6 dancers, modern dance
– “Three Graces” 1985 choreography: Delma Iles, music: The Modern Jazz Quartet, costumes: Delma Iles, 5 minutes, 3 dancers, jazz
– “Rothko Chapel” 1986 choreography: Delma Iles, music: Michael Brook, costumes, Delma Iles, 20 minutes, 4 dancers, modern dance
– “Rebecca” 1985 choreography: Elizabeth Portuondo, music: Lucas Foss, costume: Abby Litthelum, 8 minutes, solo dancer, modern dance
– “Power Hitter” 1986 choreography: Delma Iles, music: Thelonius Monk, costume: Delma Iles, 6 minutes, solo dancer, modern dance
– “Micomicomia” 1986 choreography: Delma Iles, music: Brahms, costumes: Marilyn Skow, 17 minutes, 6 dancers, modern dance
– “Salutation” 1960 choreography: Eleanor King, music: Hovhannes, costume: Eleanor King, 11 minutes, solo dancer, modern dance
– “Untitled” 1987 choreography: Delma Iles, music: natural environmental sounds, costume: Delma Iles, set: Bernard Zyscovich, 10 minutes, solo dancer, environmental work, commissioned by the Dance Umbrella of Greater Miami
– “Jacob at Peniel” 1987 choreography: Delma Iles, original verse play: Daniel Mark Epstein, music: Marcello, costumes: Jean Cerasani, set: Bernard Zyscovich, 25 minutes, 2 dancers, modern dance
– “A Fantasy on Tai Chi” 1975 choreography: Eleanor King, music: Karel Husa, costumes: Eleanor King, 13 minutes, 5 dancers, modern dance
– “Morning Star/Evening Star, The Plumed Serpent”, 1985 choreography: Andrea Seidel, music: original score by Jim Berenholtz and Mazatl Galindo, costumes: Jewel Peterson and Andrea Seidel, 8 minutes, 2 dancers, modern dance
– “Paper” 1987 choreography: Delma Iles, music: Miles Davis, costumes: Sheila Natasha Simrod Friedman, 10 minutes, 5 dancers, jazz/modern dance
– “Paper, Part II” 1987 choreography: Delma Iles, music: Diamanda Galas, traditional Japanese Bamboo Flute, Philip Glass, costumes: Jean Cerasani, 17 minutes, 3 dancers, modern dance
– “Poems of Scriabin” 1987 choreography: Anna Sokolow, music: Scriabin, costumes, Marilyn Skow, 11 minutes, 5 dancers, modern dance
– “untitled” 1987 choreography: Delma Iles, text: Shakespeare, Joyce Carol Oates, costume: Delma Iles, 12 minutes, solo dancer, modern dance/improvisation
– “The Barfly” 1986 choreography: Andrea Seidel, music: tape collage by Geoffrey Magee and Andrea Seidel, costume: Andrea Seidel, 8 minutes, solo dancer, modern dance/mime
– “Rocks of Light” 1988 choreography: Andrea Seidel, music: original score by John D. Mitchell, costumes and props: Cynthia Sanchez, backdrop: Stuart Ashman, 15 minutes, 4 dancers, modern dance based on anthropological sources
– “Love Song” 1988 choreography: Delma Iles, music: Van Morrison, costumes Jean Cerasani, 7 minutes, 2 dancers, modern dance
– “When Once I Sang” 1987 choreography: Paul Mockovak, music: George Winston, costumes Jeff Phipps, 8 minutes, 2 dancers, modern dance
– “Northwest Spirit Dance” 194? choreography: Eleanor King, music: traditional performed by Jim Berenholtz, costume: Eleanor King and Cynthia Sanchez, 6 minutes, solo dancer, modern interpretation of native Northwestern Indian dances
– “Quartet For The End Of Time” 1988 choreography: Delma Iles, Music: Olivier Messaien, Costumes: Jean Cerasani, Lighting Design: Jeff Quinn, 60 minutes, 6 dancers, modern dance
– “Window” 1989 choreography: Delma Iles, Music: Dennis Kam, Costumes: Meme Ferre, lighting Design: Jeff Quinn, 15 minutes, 3 solos & 1 duet, modern dance
– “Sand Calendar” 1989 choreography: Delma Iles, Set: Bernard Zyscovich, Costume: Marcia Kreitman, 3-7 minutes, solo dancer, experimental dance
– “Air” choreography & costume: Eleanor King, solo dancer, 5 minutes
– ” Brahms Waltzes” choreography: Isadora Duncan, Music: Brahms, Costume: Traditional, solo dancer, 8 minutes
– “Harp Etude” choreography: Isadora Duncan, Music: Chopin, Costume: traditional, solo dancer, 3 minutes
– “Three Short Sambas” 1990 choreography: Delma Iles, Music: Antonio Carlos Jobim, Costumes: Jean Cerasani, Lighting Design: Jeff Quinn 3 dancers, 9 minutes, modern dance
– untitled 1990 choreography: Delma Iles, Music: Bobby Bland, Gabriel Faure, Costumes: Marcia Kreitman, Lighting Design: Jeff Quinn, Set: Bernard Zyscovich, duet, quartet, quartet, duet (8 dancers), modern dance
– “Fieldsong” 1991 choreography: Delma Iles, Music: John Field, Costume: Jean Cerasani, solo dancer, modern
